First books of summer

3 07 2015

June has been a good month in terms of pages read. I’ve also been reading quite diversely and I managed to get in some Middle Grade too. Also, I haven’t read anything atrociously bad in June, so that’s a definite plus.

The good:Five, Six, Seven, Nate!

Press play (by Eric Devine): An honest and raw story with a good voice, but the book was too long for me. (***)

How it went down (by Kekla Magoon): an all too pertinent book in this day and age, giving us a myriad of voices after the shooting of a black teen when all hell breaks loose. It was good to show us all these different voices, although some of them were interchangeable, and I would have slimmed it down some. (*** ½)

Five, six, seven, Nate! (by Tim Federle): It’s Nate. It has Libby (not enough!). It’s Tim Federle. That’s enough to bring a smile to my face. So much fun again, although it doesn’t surpass Better Nate than Ever. (*** ½)

Since you’ve been gone (by Morgan Matson): I have a thing for Morgan Matson’s books (especially at the start of summer. I always want ice cream after a Morgan Matson book, and I don’t even like ice cream, go figure!). Like her other books, this one too is very entertaining, although also a tad too long (a recurring thing in this month’s reading). (*** ½)

Anything could happen (by Will Walton): I may… have had higher expectations for this debut novel. Still liked it, though. All in all a really decent debut novel about personal growth. (***)

booksiesMore happy than not (by Adam Silvera): Not a perfect book, but a really solid debut. Despite the ‘happy’ in the title, it’s not a ‘happy’ book, of course. I usually like those sorts of books a lot, and I did ‘like’ this one too. I felt, though, that besides the character of Aaron, the other characters were ‘lacking’ a lot. At the same time I realize that that is because of the very specific point of view in this book…a bit of a Catch 22 sort of thing. Probably a 3.5 star book for me: it has an interesting spin on the self-discovery story, which is something that’s been done in films a few times (sort of, at least: Eternal Sunshine of the Spotless Mind is mentioned in the blurb, but there’s also Memento). (*** ½)

The very good:

One thing stolen (by Beth Kephart): Just like Challenger Deep this book is actually a real struggle to get through. Not because the book is a bad one, far from it (but I can see why this book might not be everyone’s type of book). But because of the emotional depth which is – in this case – so reflected in the narrative voice. Nadia’s illness is woven into every aspect of this book. It’s hard to read. It’s different. But really honest and powerful too. (****)

Kinda like brothers (by Coe Booth): I don’t read a lot of Middle Grade, but this book shows I should read more of it. It’s so honest and unpretentious. Not simple, though. Also, this book worked like a magnet for some of the kids in my classes, and they’re not MG, so the appeal is very wide here. (****)

The return of Zita the Spacegirl (by Ben Hatke): That’s it. Kid and I are through the series. We’ve both loved this ride so much. I think we’re going to start over tonight J (****)

The so-so:

To all the boys I’ve loved before (by Jenny Han): If you think of Lara Jean as 13 rather than 16 then this book makes a lot of sense. It’s light and fluffy and somewhat overindulgent but I can definitely see an audience for this. (***)

Paper Airplanes (by Dawn O’Porter): 4-star beginning but so rushed in the second half. Too much in too few pages: bad families, bad friendships, good friendships, anorexia, school problems…. There’s too much going on so not everything is well developed. Ended very messy too. Adding all of it up and it’s closer to 2.5-3 stars for me. (** ½)

The brain-bending* awesome: Perfectly Good Whiteboy

Carrie Mesrobian is my New Fake Girlfriend.

Perfectly good white boy: This book especially is pretty fucking awesome. It’s easily the most addictive book I’ve read in years. It’s like a drug: you know it’s bad for you, but you can’t stop, you have to stop, you don’t want to stop. You won’t stop. I knew only a few pages in, it would be a winner and boy was I right. There’s no other writer who does sad characters better than Carrie Mesrobian. (*****)

Cut both ways: It was about half way through that I realized that this is probably the saddest fucking book I’ve read in a long long time. Carrie Mesrobian gets into the head of a character and owns that character. She makes you get into the head of that character and feel what that character feels, and Will? Well, he’s a sad sad trainwreck of a boy. So sad.
I like how the author’s note at the end says that we need to work for a world where it’s easier for kids like him. (****)

Can you please write more books, Carrie Mesrobian? Thanks.

* Brain-bending is my new favorite adjective.

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Favorite books of 2014

21 12 2014

In 2014 I read a lot less than in previous years. This was mainly due to a second sort of job. In 2012 I started working on an ESL method. I wrote 2 units (well, 3 actually, but one’s for the next book in the series) last year, but this year I was also asked to coordinate another book in that same series. 2014-12-13 17.14.53This meant I had to write units, edit my own as well as other people’s units and coordinate the whole thing (which is a lot like pretending you know what you’re talking about). That’s on top of a full time teaching job, of course. Anyway, water under the bridge… I read a lot less: still 97 books, but a good 6000 pages less than in 2013, for example.

First, for this “best of 2014” list, I am not going to count books I re-read this year even though they would have scored high on this or any list (so that means, no Maus or As I Lay Dying, which I both rated 5 stars, for instance).

Second, it seems I’ve really become more selective in my reading because I didn’t give any book just 1 star this year, which is definitely a first. There were plenty of books I didn’t particularly cared for, or authors who I thought had previously published a lot better books, but I just didn’t pick up a book I knew wouldn’t be for me.

Finally, I am not discriminating here. My list has everything thrown in together because that’s just how I read: so-called YA literature (most of what I read), picture books, graphic novels, and so-called Adult literature. Big deal. I don’t want to rate from 10 to 1 or from 1 to 10, so this year, it’s in reverse alphabetical order (by author). Also, books that were published in 2014 get an *.

 

  • The Free by Willy Vlautin *.
Willy Vlautin

Willy Vlautin

I saw Willy Vlautin perform with The Delines in November. Even before the gig, I knew this book would end on my end of year list. It’s really everything I want in a book: great voice, intertwining stories and lives, ‘ordinary’ people just trying to survive in contemporary society’s desolation… you know, the fun stuff of life J , but with a remarkable attention to hope and compassion.

 

  • Anything by Shaun Tan, especially The Arrival and The Red Tree. Simple: Shaun Tan is brilliant. Seeing one of his images on NCTE’s Annual Convention catalogue was a bit unexpected and otherworldly, though, like much of Tan’s own work.

 

  • Grasshopper Jungle* and 100 Sideways Miles* by Andrew Smith. Andrew Smith has 2 books on this year’s list, and I am currently reading an ARC of The Alex Crow. I have not made it a secret that I am a great admirer of Andrew Smith’s work, because his work has what I am constantly looking for when I’m reading: the voice of the author (see more about this later). As different as all of his work may be (Ghost Medicine is nothing like Winger is nothing like Grasshopper Jungle), there’s always the distinct ‘Andrew Smith’ signature all over the pages: twisted and chaotic at first glance, honest, thoughtful and incredibly smart at second glance. Even though I don’t love all of his books in the same way or to the same degree – obviously I have favorites, of course I do – I respect this author in the way he stands his own unique ground in the midst of so much mediocrity.

 

I want my hat back

I want my hat back

  • Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz. This book has a poetic quality to it that was so different to read from anything else I read this year. A true thing of beauty. A book about so many things (family, friends, war, sexuality) in the most natural and obvious way.

 

  • I want my hat back and This is not my hat by Jon Klassen. These books were published a few years ago, but I only bought them last summer in London. I love them. My kid loves them. I read them to her in these different voices, and she does them too, and it’s just totally hilarious every time we read them together. Subversive, hilarious, brilliant.

 

  • Glory O’Brien’s History of the Future by A.S.King *. I know pretty well what I want to get out of a book. Of course I want a good plot. Of course I want well-developed characters. Who doesn’t? But what I really want to get out of a book is personality. A book that says (!): “Here, this is me, read me!” For me, a book absolutely without a doubt needs to have personality. The personality of a book is not really something tangible, like a likable character or a satisfying conclusion to a plotline. For me, the personality of a book actually lies in the author’s ability to create a universe that is unique to that particular author, often book after book after book. I call it the voice. This is definitely not the same as the voice of the (main) character in the book. Rather it’s the voice of the book. By extension you could say that this is the voice of the author. It’s not that I think authors agree with everything mentioned in their own books (I really don’t, real authors are much smarter than that), but I believe that there really should be something of the author in each of their books: their voice if you will. To be really into a book I have to sense that voice.

    It’s also not something casual or flippant. Of course I recognize that every author has a particular style and what not. No , it’s more than just a unique style: there has to be a sense of urgency that goes along with that voice. There are a couple of authors who capture that sense of urgency for me (Matt de la Peña, Gregory Galloway, Adam Rapp, Andrew Smith, to name just a few). But the author who really personifies for me what it means to

We love bookmarks.

We love bookmarks.

have an urgent voice that demands to be heard is A.S. King. I know it sounds all new agey (ugh!) and I can’t really describe what it is exactly, but it’s something all over the pages. It’s why every one of her books has very firm ties to the here and now of this world (even though the book might be set in the 17th century or show snippets of the future). It’s why every one of her books betrays a concern with the state of the world as it is. Here. Now. For you to be read. Right now. A sense of urgency, as I said before.

I didn’t write a review of Glory O’Brien’s History of the Future, and I’m not going to now. The best review of that book has already been written, by Rick Yancey for the New York Times. Let’s just say that Glory O’Brien has everything I just mentioned about a book having a personality and a voice that betrays a sense of urgency on the part of its author. After drinking the remains of a petrified bat, Glory and her ‘friend’ Ellie start seeing snippets of the future and the past. The way the future is visualized is prophetic to say the least. And a veritable horror story, if there ever was one!

And as I said, of course I want well-developed characters and I got them. There is obviously Glory who is such a complex character: a complicated mess, hard to love, angry, hurt, so many things at the same time. But there is also Glory’s dad (I always love the dads in A.S. King’s books), and even Glory’s mother, who’s been dead since Glory was 4. Admittedly, this book is somewhat light on ‘plot’, but what it lacks in plot, it well makes up for in Questions about Big Ideas. I love that there are so many questions explored in this book: what is friendship, what is community, what is real, what is only perception, what is belonging, what are our rights as human beings, what are our rights (mine and yours) as women, … A.S. King keeps on asking the questions ( 😉 ) we are all asking ourselves (or should be asking ourselves!): those of the history of the future and what it means to be and to be seen as a whole person.

Wolf in White Van

Wolf in White Van

 

  • We Were Here by Matt de la Peña. I “discovered” Matt de la Peña and his books this year. We Were Here is incredibly touching. Touching in the same way as how you can’t NOT love Of Mice and Men. If you don’t, I don’t want to be your friend (anymore). I’m sorry, but certain books are just relationship/friendship dealbreakers. Added bonus: I heard Matt de la Peña speak at NCTE this year at the CEL luncheon.

 

  • Wolf in White Van by John Darnielle*. This is the second book of a musician-storyteller (John Darnielle of Mountain Goats fame of course) in this list of favorite reads. Wolf in White Van was longlisted for the National Book Award and deservedly so. It’s the type of book that is so brilliantly constructed that the only appropriate response I could come up with at the end of it, was a healthy “WTF was that crazy shit right there?” This guy can write. I loved it!

 

  • The gigantic beard that was evil by Stephen Collins. That title alone should be enough to make you read this graphic novel. But if that is not enough: it’s about hair and no hair and elsewhere and here, and evil beards,
    Look at this!

    Look at this!

    and neatness and structure and fear and chaos and society and life and… fuck, this was good. 

 

  • The Impossible Knife of Memory by Laurie Halse Anderson *. I don’t think there’s been a year that I didn’t list a Laurie Halse Anderson book as a favorite read of the year. With The Impossible Knife of Memory she did it again. Damn, this woman is good.

There are also 5 honorable mentions:

 

  • The Sense of an Ending by Julian Barnes. It had been years (definitely more than a decade!) since I last read a Julian Barnes novel. This one was stellar!
  • Better Nate than Ever by Tim Federle. I hate musicals. HATE them. But I LOVE this book.
  • The truth about Alice by Jennifer Mathieu *. Incredibly powerful story about cruelty and stereotyping. Sucked me right in.
  • Sex & Violence by Carrie Mesrobian. Carrie Mesrobian has balls. That’s all.
  • 17 & Gone by Nova Ren Suma. My surprise read of the year. Because of this cleverly deceptive story I cannot wait for The Walls Around Us.







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